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A Future For The Invisible Dog Art Center

A Future For The Invisible Dog Art Center {0}

Dear Friends,

In 2009, 51 Bergen Street became the Invisible Dog Art Center. This is the story of how our building was transformed through love and hard work; a long-term romance like any other. What emerged from this love was a very unique way of operating an art space. We began as a self-sustaining business in which the building’s innate resources were used to generate income that would allow us to best maintain the building and provide space and time for artists to fill it with their creative dreams. The foundation of our story is marked by three elements: an enormous inflatable ant that showed us that our space has incredible capacity for containing an artist’s imagination; a few hard-working artists renting studios who would forever be our lifeblood; and a chandelier, created from the discarded materials from the building’s former life as a belt factory that would invoke the image of grand theaters in Europe and forever remind us of our proud history as space for production. And from there we grew: 27 artists-in-residence; a robust annual season of performing, visual and multi-disciplinary projects; residencies for artists from around the city and the globe; strong relationships with partner organizations; and no end to the number of artists, at various career levels, creating new work in our beloved space. In that way, as much as we have grown, our love for this building, YOUR love for this building, has remained a constant and a rudder. The most daunting limitations of this building are the key to its greatest generosity, and we will never stop loving it because of that inspiring tension.

Over the years, our recognition has expanded to include prominent critics to artists who seek us out, knowing that we genuinely provide space for experimentation with a consistent demand for rigor and care. But recently, we received a new level of recognition. In June we were informed that the process we started almost two years ago to become a 501c3 is now complete! The Invisible Dog Art Center is now a fully incorporated, non-profit organization. Our project, the community that has rallied around it, and our method is now irrefutable. We arrived at this permanence organically; we didn’t start the Invisible Dog with the goal of being a non-profit. We arrived at this goal through our dedication to supporting artists with the physical resources they need to do their best — and the understanding that we could grow that support to include financial resources so that they could deepen their practice and do more within our walls. It’s thanks to you – our community, our partners, our artists, and our supporters – that we have achieved this important status. And it’s with your belief in us that we will use is to continue to increase access to arts and culture within our building.

We live in a disturbing moment. Every day we are reminded of the violent consequence of generations of injustice. Images of fascism flicker on our screens and revolution seems to be inevitable – but what, or more so, who, will be the cost? It is clear that our systems aren’t serving us, are leading us to greater destruction. We need our creativity to help us envision a new way of working, a more equitable way of sharing resources. For this reason, now more than ever, we believe in the power of creative expression and education. Without education, we cannot help but perceive all difference as a threat. We believe that art provides people with the means celebrating difference and creating an inclusive world, an ever expanding home for us all. The Invisible Dog will continue to be a place for artistic exploration and community building. As a 501c3, we hope to grow our funding to better support these pursuits and the people generating them. We will strive to continue our program development with care – for artists, for audience – and we will stay true to our values.

One way that you can continue to support us is to make a now 100% tax deductible donation during our annual appeal in October. We hope that now that all donations will be tax deductible that you will consider making a larger contribution if you can.

And, we’ll continue to be here for you. We invite you to seek us out, to engage in our space, to bring us your most creative, most expansive dreams.

We’ll do the same.

Lucien Zayan, Founder – Director
Risa Shoup, Board of Directors Member

Photo by Juan Sarmiento G.
www.juan-sarmiento.com

2015 {0}

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2FIK, Julie Tremblay, Daniel Hellmann. Opening Reception October 31, 2015

2FIK, Julie Tremblay, Daniel Hellmann. Opening Reception October 31, 2015 {0}

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STEVEN AND WILLIAM LADD

STEVEN AND WILLIAM LADD {0}

New York-based artists and brothers, Steven and William Ladd, have dedicated the past thirteen years to collaborating on hand sewn boxes containing meticulously constructed environments related to their shared memories. Their values- Spend your life doing what you love, Be focused and disciplined, Collaborate- are embedded in their work, and indeed, in their lives.

When closed and stacked, the boxes become sculptural Towers, majestic works of art, at rest until the Towers are dismantled and contents revealed. It is often through a rhythmic and choreographed performance that the brothers open the boxes and arrange them in their landscape formations. The landscapes are often composed of found materials that the brothers have worked- sewn, beaded, scrolled, rolled, stacked- into tightly organized environments that reference memories from their lives.

Materials from The Invisible Dog Art Center in Brooklyn- a former belt and buckle factory turned into a major hub for art and artists may have been their largest influx of materials yet. Lucien Zayan, the director of that space, generously made all of the leftover trimmings and trinkets of the space available to the artists to fuel years of creativity.  Relationships are at the heart of the brothers’ work, and their relationship with The Invisible Dog, and Lucien, have fostered a rich and powerful collaboration.

In 2011, the Ladd brothers had their first solo museum exhibition at the Contemporary Museum Hawaii.  Using a grant from the Andy Warhol Foundation for the Visual Arts (2010), they were given the entire museum—over 5,000 square feet—to showcase new works featuring Ant Infestation – a large Tower that opens to reveal a beautiful landscape of hand-beaded trees with an infestation of 600 small cast ants.

Following their hugely popular and critically acclaimed Hawaii show, the brothers began working on a new series, entitled Shaboygen, focused on their shared high school memories presented at the Invisible Dog Art Center, and internationally at Essl Museum of Contemporary Art, Austria, 2012. For this body of work the brothers pushed the scale of the boxes. And, for the first time, some of the boxes were mounted on the wall, representing a major shift in the presentation of the works, which have traditionally been placed on the floor and viewed from above.

The brothers then had an exhibition of around 500 objects at The Mingei International Museum in their museum solo, Function + Fantasy.  This exhibition traces those threads through the artists’ work over the past thirteen years.

In October 2014, Steven and William had a solo exhibition at the newly constructed Parrish Art Museum in the Hamptons, New York. Here their works showed their exploration of shared memories from their grade school, whose name became the show’s title- Mary Queen of the Universe.

www.stevenandwilliam.com

Job Opportunity – Venue Manager – Part Time Job

Job Opportunity – Venue Manager – Part Time Job {0}

 

The Invisible Dog seeks a dynamic Venue Manager

Artist Relations

* form strong, positive relationships with the artists working in the building
* welcome artists; answer basic questions about the facility; act as intermediary between artists and Director
* collect and organize necessary technical and artistic information from artists in advance of exhibitions and performances; deliver this information to Director promptly, consistently and concisely
* supply partners, renters, et al with necessary information about the venue — as directed by, and at the sole discretion of, the Director

Patron Hospitality

* welcome patrons; inform them about exhibitions; maintain an open and friendly atmosphere in the space
* act as an intermediary between the Director and the public
* answer questions about the space and programming

Facilities Management & Communications

* closely observe building; track changes and alert appropriate staff as needed when issues arise
* light maintenance of the main gallery and Glass House: sweep, restock bathroom supplies, wash storefront window, etc.
* select and hire interns for fall and spring
* write introductory newsletter text (roughly 2x, per month, due 5PM on the Sunday before it is to go out)
* assist Director with outgoing correspondence
* receive and organize deliveries
* deliver mail to artist mailboxes on second floor

Necessary Skills

* Friendly and good sense of humor
* Reliable and strict adherence to rules and regulations
* Highly organized and detail-oriented
* Strong understanding of social media including Facebook, Twitter and Instagram
* Familiarity with WordPress in order to assist with updating the website
* Extremely punctual
* Strong command of English language – written and spoken
* Comfortable working alone and self-directed

Important to Note

* We are not looking for a “professional.” This position is not contingent on a specific level of past work experience in the arts. However, we do expect applicants to have passion for the arts and culture, a working knowledge of the NYC arts ecosystem, and a strong desire to forge good relationships with artists, patrons, cultural partners and the space itself.
* This position requires you to work closely with the Director. Collaboration is key to the success of the Invisible Dog. We have been growing steadily since our opening in 2009. In the last few years, we have made a concerted effort to increase programming, develop an individual donor base, and cultivate relationships with private and public foundations. The Venue Manager will have an opportunity to give feedback and participate in the future growth of this dynamic institution.

To Apply:
Send resume, cover letter detailing your interest and qualifications for this position, three references to Director Lucien Zayan lucien@theinvisibledog.org

Applications are due by 5pm on Friday April 10th.

CATCH 75: COIL’ D AGAIN

CATCH 75: COIL’ D AGAIN {0}

SATURDAY JANUARY 15 – 7pm –  CATCH is “everyone’s favorite” Brooklyn-based, hydra-headed, trans-disciplinary, rough-and-ready series of performance events. Pouring equal portions of community, love, CATCH takes PS122’s Coil Festival with their diamond jubilee, CATCH 75, a night of performance mayhem by the most exciting artists NYC has to offer.

CATCH is curated with reckless delicacy by Jeff Larson, Andrew Dinwiddie and Caleb Hammons, and was awarded a prestigious Obie Award in 2015 for its contribution to the performing arts community in New York City. Conceived in a Williamsburg bar in 2003, Catch has given stage to some of the most exciting emerging artists and avant luminaries, spreading our serious-art-in-a-serious-party vibe all over Brooklyn, Queens, Manhattan and, recently, in cities across the U.S.

Co-Presented by Performance Space 122’s Coil 2017 Festival and The Invisible Dog Art Center

Performance Space 122’s Coil 2017 Festival explores the vitality of live performance in New York City through contemporary artists from diverse genres, cultures, and perspectives. Full of inquisitive and dynamic work created locally, across the US, and around the world. January 3-22.

Book your tickets here ps122.org/coil

THANK YOU – MERCI

THANK YOU – MERCI {0}

The goal is not to simply do a cool project that will get cleaned up by the city or thrown away, but to make something – even something temporary – that will change how a place works and is perceived. And once that change has been made, to figure out how it can be made again or made permanent.

Nate Berg, The Complete Guide to Tactical Urbanism

Dear Supporters, Dear Friends

THANK YOU!

We could tell you again how overwhelmed we are by your support, how excited we are to give the money we raised to the artists presented this season, how grateful we are to be part of such an amazing community of donors, artists, and institutional partners. But you know that.

We want to tell you what we learned: when we asked you to help us raise $25,000, each individual donor gave an average of 25% more than last year, and we raised $33,000

You have given us a mandate: you gave more to us because you want us to do more for you.

We promise you, not just more artists, not just more events, but more opportunities to change how the arts, our building, our neighborhood, and all of us together interact to be a permanent home for creativity and culture.

Lucien Zayan, Director & Risa Shoup, Associate Director

DONORS SEASON 4 {0}

Thank you! We have raised $33,259 ($28,729 from Kickstarter & $4,530 through separate donations).

This awe-inspiring outpouring of support has exceeded our goal and our expectations. A whopping 416 people contributed to our campaign. This was our first-ever fundraising campaign, and after just three years, we are overwhelmed by your dedication to the Invisible Dog. All of the money raised will go directly to support the artists presented as part of the program of our 4th Season. Check out here the Rewards Pick up Photos

You can  donate anytime to support our program, click here

Donators [2012/2013]

600 HIGHWAYMEN, 10of9 Management, 2Fik, 724industries, A. Griffin Duggan, Adam Kahan, Adam Robertson, Adeline Courcoux, Alain Fourneau, Albert & Joëlle Zayan, Alece Oxendine, Alexandra Glorioso, Alice Bertay, Aliette Maillard, Alison Weinstein, Allison Meier, Amy Rogoway, Anand Gopal, Andre Costantini, André Letria, Andrea Wenglowskyj, Angela Veninga, Angelina Medori, Ani Katz, Anita Merk, Anna Levikova, Anne Apparu, Anne Lefebvre, Anne Levy, Anne Mourier, Anthony Iwanski, Ariadne Eirene, Ariane Lourie Harrison & Seth Harrison, Ariel Krasnow, Arlene Ducao, Arturo Vidich, Asher Remy Toledo, Aurelie Charon, Aymie Spitzer, Barbara Bryan, Barbara Ladd, Barbara Richard, Bekka Palmer, Ben Pryor, Benjamin Perchet, Beth Weinstein, Betsy Witten, Bettina Servan, Betty Ratley, Bill Trancredi, Bob Bland, Bree Shernan, Brian Cohen, Brian Moran, Brooke Joslyn, Bruce Steinberg, Caden Manson, Caleb Hammons, Cameron Koczon, Carmen Casado, Carmen Pelaez, Caroline Gillet, Caroline Park, Caroline Petersen, Cedric Duroux, Cedric Howe, Cemre Güngör, Charlotte Rova, Chesley Andrews, Chloe Weil, Chris Casciano, Chris Havens, Chris Kissel & Don Nienas, Chris McIntyre, Chris Shiflett, Christian Canciani, Christian Fuller, Christian Savard, Christian Ubl, Christine Bourgier, Christine Cassidy, Christine Knoke, Christopher McElroen, Claire Gannet, Claudia Paneca, Colin Clement, Connie Bree, Cristina Silva, Crow Jonah Norlander, Dagmar Weaver-Madsen, Dan Kohler, Daniel Horowitz, Danielle Bias, Danielle Durchslag, Dara Lynn Schlissel, David & Melinda Olson, David Bukszpan, David Glazer, David Levine, David Liatti, Dean Dalfonzo, Delphine Schwartzbrod, Denise Dionisia Hatzis, Di Glazer, Domenica de la Torre, Dominique Villanueva, Dorothea Basile, Eamon Harkin, Eliane Golay, Elisabeth Hayes, Elisabeth Motley, Elizabeth Alpern, Elizabeth Kresch, Ella Marder, Elodie Vinciguerra, Eloise Desrousseaux, Emily Reese, Emily Wexler, Emma Katz, Emmanuel Letouze, Emmanuel Rouillier, Emmanuele & Bruno Vinciguerra, Emmanuelle Chiche, Emmet Rugburn, Erica Heinz, Erika Hokanson, Ethan Anderson, Eva & Régis Courchel, Eve Biddle & Joshua Frankel,  Fabiano Spano, Faysal Boulkout, Florence Carmont, Florence Rolando, Flutura Bardhi, Frances Uku, Francesca Bregoli, Francisco Bustamante, François Ghirardi, Frederic Bonnemaison, G Douglas Barrett, Gabi Kozak, Gaëlle Plasseraud, Gaëlle Porte, Gay & William Hartigan, Gemini & Scorpio, Gérald Fillion & Sébastien Barangé, Giampaolo Di Bella, Gideon Lester, Gilbert Benichou, Gina Diwan, Girard Paul, Gisela Blanc, Grace Freedman, Greg Hochmuth, Guido Verelst, Guillaume Paturel & Stephanie Arpage, Hans Verschooten, Harpreet Kaur, Heather Rook, Heather Weston, Herve Lucien, Hirondelle Chatelard, Holly Jim Crockett Misha, Hoover Chung, Howard Kolins, Ian Addison Hall, Ian Trask, Ilana Becker, Ingrid Laubrock, Irene Hultman, Isabel Villavecchia, Isabelle Favier, Isabelle Jouanneau-Fertig, Isabelle Laug, Isabelle Ormieres, Ishmael Houston-Jones, Iviva Olenick, Jack Cheng, Jacquelyn Landgraf, Jacquie Jordan, James Socol, James Turnbull, Janet Davies, Janie Trinh, Jason Gardner, Jason Horton, Jayme Sklar, Jean-Francois Grollemund, Jean-François Salessy, Jean-Pierre Linder,  Jed Meade, Jeff Burke, Jeff Hendrickson, Jen Moose, Jen Sweet, Jenni Schwartz, Jesse Manocherian, Jessi Arrington, Jessica Bonenfant, Jessica Harllee, Jill Ariela Putterman, Jim Rubin, Joan E. Steuby-Finney, Joan Lurie, Jodi Leo, Jodie Dinapoli & Jerome Basdevant, John Mazlish, Jonah Bokaer, Jonathan & Melissa Motzkin, Jonathan Mann, Josh Hoglund, Joshua Gross, Juan Alfaro, Julian Damy, Julie Twitmyer, Julien Princiaux, Justinian Kfoury, Kara Murphy, Kate Gavriel, Kate Moran, Katharina Christl, Katie Zanecchia, Katrina Davies, Katrina Kelly, Katy Yudin, Keith Harper, Ken Carpenter, Kendel Ratley, Kerwin Williamson, Kevin Fisher, Kim Bost, Kitt Hodsden, Kris De la Torre, Kyle Brandon, Lan Francis, Laura Reneke, Laurel Sheridan, Lauren Glant & Michael J. Gillespie, Laurence Herszberg, Laurent Carenzo, Laurent Serog, Lawrence Mesich, Leecia Manning, Leslie Koch, Leslie Plant, Lili Chopra, Lionel Hoche, Lionel Hun, Lisa Baker, Lisa M. Collins, Liv Johanson, Liz Koch & James Hyde, Loredana Banu, Lynn Winters, Malcolm Brown, Mandy Brown, Marc Azoulay, Margaret Cusack, Maria Gracia Donoso, Marie Birling, Marie Christine,  Marie Gabrié, Marie Griffin, Marie-Christine Murrell & Jean Vacarisas, Marine Peyre, Mark Johnson, Marta Roca, Martine David, Martine Fougeron, Martine Uzan, Maryann Staroscik, Mathilde Roussel, Matthew Kagen, Maura Bess McGill, Maureen  F. Houtrides, Megan Berk, Megan Marissa Steinman, Melanie Kress, Melissa Clarke, Mic Porte, Michael Cosaboom, Michael Klien, Michael McGregor, Michal Rosenn, Michel Kelemenis,  Michela Del Forno & Steven Music, Mick Godard, Momo Mee, Mona Nicoara, Nahas Fouchet, Naomi Hersson Ringskog, Naomi Schegloff, Natalia Radywyl, Nate Bolt, Nathalie Angles, Nathania Cahen, Neil Wehrle, Nemo Hoffman, Nicholas Croft, Nick Burry, Nicole Birmann Bloom, Nicole Brodeur, Nikolovski Claire Vladimir, Noah Klersfeld, Nora Benavidez, Nora C Wolf, Norman Chastity , Ole Groenbaek, Oliver Jeffers, Olivier Lee, Omar Berrada, Ori Flomin, Paola Messana, Pastor Gilles, Patti Mac, Paul Johnson, Paul Poggiali, Paul Santoni, Paul Soulellis, Peter Cortez, Peter Gynd, Peter Treiber, Phillip David Stearns, Pierre Rougier & Sylvie Picquet, Pierre Thys, Prune Nourry, Rachel Porter, Rachel Spire, Raphaël Camp, Raven Keller, Rebecca Wender, Remarkable Media Group, Richard Semegram, Risa Shoup, R Justin & Mamie Stewart, Robin Sappe, Russell Bailyn, Ryan Eslinger, Ryan Frank, Ryan MacGavin, Sabine Camerin Alussi, Sabine Gabrié, Sam Stephenson, Sandra McLean, Sandrine Dumas Brekke, Sandrine Humbert, Sara Lubtchansky, Sara Rossi, Sarah Bishop-Stone, Sarah Daily, Saranya Tronglakkana, Sarasin Chatwichitkoon, Sasha Maslov, Sasha Silver, Sebastien Siroux, Shannon Finnegan, Sherri Forever, Shonni Enelow, Simcha Levental, Simon Courchel, Solange & Sylvain Cypel, Sophie Donelson, Sophie Mason, Sophie Ubald-Bocquet, Stacy Chen, Stephan Kfoury, Stephanie Bailyn, Stephanie Cox, Stephanie Pereira, Steven Ladd, Susan Barbash & Eric Katz, Suzy Webb, Sylvie Andrac Hannhart, Tal Beery, Tanguy Accart, Terryl Simeina, the carbon based mistake, Theodore Henigson, Therese Urban, Thierry Fiorile, Thomas Daddona, Timo Kuhn, Tina Roth Eisenberg, Titaua Izern, Todd Shalom, Tommaso Tregnaghi, Tristan de Terves, Tyler Mincey, Tyler Robinson, Tymoteusz Masiakowski, Udom Surangsophon, Valentine Guediguian, Vallejo Gantner, Vanessa Belli, Vicky Vossen, Vincent Devisscher, Vincent Josse, Vinny DePonto, Virginia Di Paolo, William Ladd, William Landry, Xavier Daney, Xavier Roux, Yanira Castro, Yelena Gluzman, Yifat Gat, Yoko Sakao Ohama, Yves Riu, Zach Layton, Zack Neve, and several donors who asked to remain Anonymous.

IN A POST-WORLD: POST PUNK ART NOW

IN A POST-WORLD: POST PUNK ART NOW {0}

OCTOBER 27 – NOVEMBER 6 – EXHIBITION In a Post-World : Post-Punk Art Now brings together artists and authors, many of whose works are linked to the ideology, ethics and aesthetics of the punk movement. Initially associated with the field of music, punk was notorious for its irreverent spirit and subversion of the established cultural and political structures. The works in this exhibition explore the links between the punk movement and various practices in current art.

As early as 1978, the British group CRASS released the song “Punk is Dead.” We can affirm, however, that punk culture, thought to be dead and buried, has simply gone through various mutations and metamorphoses. Less raw and hard-hitting than its original form, the movement nonetheless continues to have a profound impact on our social mores. Any grandmother can now dye her hair purple, for example, and a soccer player with a mohawk hardly raises an eyebrow.

There are a number of aesthetic similarities between the punk movement and certain 20th-century artistic currents. With its rejection of established values, its strong sense of self-derision and iconoclasm, punk is closely related to Dadaism. Early on, many of its proponents were also influenced by Situationism. The manager of the Sex Pistols, Malcolm McLaren, frequently alluded to the emblematic texts of the movement and even declared, “It’s marvellous to use Situationism in rock.” In addition, the parodic appropriation of religious or political imagery on punk album jackets or posters is very much in keeping with the deviational spirit of Situationism.

The relationship between punk and the avant-garde is highly important; but how exactly has it influenced the visual arts? This question lies at the heart of our critical reflections. In a Post-World : Post-Punk Art Now we reflect upon the vestiges of punk in current artistic practices.

Michael David, Martha Wilson, Paul D’Agostino, Mina Pam Dick, Andrew Hussey, Todd Bienvenu, Claudia Eve Beauchesne, Richard Garet, Aaron Cometbus, Sébastien Pesot, Mandy Lyn Ford, Philippe Nassif, Rafael Fuchs, Sylvain Bouthillette, Marc-Antoine K. Phaneuf, Jacinthe Loranger, Annie Baillargeon, Jacob Wren, Anouk Pennel, David Clerson, Mathieu Valade, Julie Andrée T. and Ted Riederer

This exhibition has been made possible, in part, with support from the Conseil des arts et des lettres du Québec, and with the support of private donators on IndieGogo

www.pesot.ca

Opening Reception Thursday October 27, 6-10pm

Gallery Hours
Thursday to Saturday from 1 to 7pm
Sunday from 1 to 5pm
Tuesday and Wednesday: by appointment only
Closed on Monday

RAUDER THRADUR – ANDREA DEFELICE & RYAN FRANK

RAUDER THRADUR – ANDREA DEFELICE & RYAN FRANK {0}

MARCH 5 – APRIL 30 – EXHIBITION – Rauder Thradur (Red Thread in Icelandic) features the work of Brooklyn-based artists Andrea DeFelice and Ryan Frank who examine time and space through the transparent structure of the Glass House. DeFelice and Frank, who each spent time in Iceland in 2015, reflect on their individual experiences of being in a place with a vast and ever-changing landscape, limited human interaction, and a surreal and uncanny sense of time. The works in this exhibition play with those concepts through a variety of mediums and methods including sculpture, photography, reflection, motion and architectural interventions. Using time, space and light as behavioral entities, the Glass House will be transformed into a wonder room of objectified responses to how we experience place and measure duration.

Opening Reception Saturday March 5 from 6 to 10pm
Gallery hours: Thursday to Saturday, from 1 to 7pm, Sunday from 1 to 5pm
Tuesday & Wednesday by appointment only
Closed on Monday

This exhibition has been made possible, in part, with support from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

The Invisible Dog Art Center’s 2016 Exhibition series is sponsored, in part, by the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, administered by Brooklyn Arts Council (BAC).

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