$10
RSVP to macdandrinkdraw[at] gmail [dot] com
BYOB

David Schafer is a visual and sound artist working in sculpture, sound, sound performance, and works on paper. His work is concerned with the intelligibility, translation, and structures, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA. He has recently participated in LaLaLand at Edinburgh University Gallery, Edinburg, Scotland, and Radio Break, Organized by USC Roski School of Fine Art. Los Angeles, CA. In 2010, he permanently installed “Separated United Forms” at the Huntington Hospital, Pasadena, CA, and participated in the Whitney Biennial with “What Should a Museum Sound Like?”, a sound performance and sculpture. Schafer is currently a visiting assistant professor at University of CA at Riverside and University of Southern CA. and was recently a visiting critic for the Cornell Art and Architecture Program in NY. He has previously taught at SVA, Cooper Union, Rutgers, and Parsons in NY and Otis, Cal Arts, and Art Center College of Design in Los Angeles. David Schafer performs under the moniker of DSE. This is also a platform for the production of and dissemination of electronic noise, processed recordings, live signal manipulation, no-input feedback, and voice. This includes live sound performances, collaborations, programming events, sound/transmission kiosks, and sculptures. Dissemination and emission of sonic material encompass multiple formats including; live radio transmission, mp3 download sites, CD’s, posters, records, and cassette formats. Utilizing both analogue and digital source material and processing techniques, DSE processes sampled material and data emphasizing an attack on the structural authority of intelligibility, in language and sonic/spatial orientation. Focusing on the decay and mutability of signal, DSE performs both improvisational and composed events and works. Schafer has recently performed at L.A.C.E. in Los Angeles, CA, and Roulette, in Brooklyn, NY. Between 2009-2011, Schafer was with the noise collective MDSE and performed at venues in and around NY. David Schafer is currently living and working in LA.  http://davidschafer.org

At MATÉ_series number 3 Alfredo will premiere his latest work Death to the Infidels: an electro-acoustic composition comprising the recording and treatment of electric and classical guitars, voice, suspended cymbal, synthesizers, and tabletop electronics. Death to the Infidels will also feature live amplified vocals by Alfredo, expressed through a large heavy-duty garbage plastic bag containing stereo speakers, miscellaneous metallic objects, and contact mics.

Alfredo Marin is a music/sound artist currently living and working in New York City. The vocabulary of Alfredo’s work is a synthesis of melodic and harmonic moments, concrete recorded sounds, and abstract electronic sound coupled with the possibilities inherent in the theatrical aspects of sound production through loudspeakers and performance. http://www.conspicuouspropriety.com

At MATÉ_series number 3 Bob will present an improvised piece for slack-assed hollow body guitar, loose timpani drum head, loose snare wire, snare drum, electronics, software, and amplifiers

Bob Bellerue is a noise composer, experimental musician, and creative technician based in Brooklyn NY. Over the last 20+ years he has been involved in a wide range of creative activities – homemade percussion ensembles, Balinese gamelan, dance/performance art sound scores, and installation art. Bob’s work utilizes custom electronics and programming, incorporating feedback, prepared field recordings, de-musicalized instruments, and found oscillators. He is in the midst of long-term collaborations with the choreographer Wanda Z Gala, and gigs regularly as a solo artist, in KILT (with Raven Chacon and Sandor Finta), and in collaboration with some of the heavyweights of the universal experimental music scene (Z’EV, Telecult Powers, Francisco Meirino, and Circuit Wound among others). Bob’s work has been presented at the Yogyakarta Gamelan Festival, Centre de Cultura Contemporanea de Barcelona, New Genre Festival, CEAIT Festival, Issue Project Room, Diapason Sound Gallery, Roulette, Boulder Museum of Contemporary Art, Denver Noise Festival, Olympia Experimental Music Festival, PDX Noise Festival, Radio Epsilonia (Paris), WFMU, WKCR, WNYC, KFJC, KXLU, East Village Radio, Stanford University, The New School , UCSD, and UCLA. His discography includes dozens of releases on Anarchymoon Recordings, Zelphabet, Banned Productions, P-Tapes, RRR Records, Static Aktion, EMR, Iatrogenesis, Bastardised, Peyote Tapes, Together Tapes, Breathmint, Feathering Pines, Baked Tapes, Abandon Ship, 3rd Sex, and Important Records. He curates and produces noise and experimental music events on a regular basis, including the Ende Tymes Festival of Noise and Experimental Liberation. He was formerly based in Los Angeles, where he ran the sub-garde experimental music/performance space the Il Corral, and curated the Beyond Music series and festival. As a theater technician, he has designed lights and sound for dozens of theater and dance performances. Bob lives in Bushwick NY and runs the boutique noise labels Anarchymoon Recordings and Sleepy Hollow Editions. www. halfnormal.com

YANIRA CASTRO  DIRECTOR/CHOREOGRAPHER
Puerto-Rican born and Brooklyn-based director/choreographer Yanira Castro collaborates with a core group of performers and designers on individual projects under the name, a canary torsi. She and her collaborators work in a multiplicity of spaces: from warehouses, restrooms, and gardens to the stage, examining questions of intimacy, distance, control, and ultimately the agency of the audience in the performative environment. Her work has been presented in New York by New York Live Arts/Dance Theater Workshop, Performance Space 122, ISSUE Project Room, The Invisible Dog Art Center, The Chocolate Factory, The Experimental Media and Performing Arts Center (EMPAC), and HERE Arts Center, among others, and has toured nationally and internationally. Castro and the team of Dark Horse/Black Forest won a 2009 NY Dance & Performance (aka Bessie) Award for the performance of that project at The Gershwin Hotel. She has received several commissions and awards for her work, including from The New England Foundation for the Arts’ National Dance Project and Expeditions programs, The MAP Fund, The Jerome Foundation, NYFA’s BUILD, Meet the Composer’s Commissioning Music/USA program, NYSCA, New Music USA’s Live Music for Dance, Trust for Mutual Understanding, and USArtists International. She is a 2013/14 Returning Choreographic Fellow and 2012 Media Fellow at the Maggie Allesee National Center for Choreography, a 2013/14 Artist-in-Residence at Dance New Amsterdam, 2012 Vermont Performance Lab Artist, a 2012 and 2010 LMCC Swing Space Artist-in-Residence, a 2007 Artist Ne(s)t Artist-in-Residence in Bacau, Romania, and a 2006 Rockefeller Foundation Bellagio Fellow. Castro received her B.A. in Theater & Dance and Literature from Amherst College.

PETER BUSSIGEL  MUSICIAN
Peter Bussigel is an improviser and video artist interested in intermedia performance. He works with found objects and brass instruments augmented through digital and analog electronics. Peter collaborates with dancers, writers, visual artists and other musicians and has performed throughout North America and Japan including the International Computer Music Conference, the annual Society for Electroacoustic Music in the United States conference, the Tank, and the Pixilerations Festival. He has received grants for performances and workshops on improvisation from Bates College and the Kobushiko Commissioning Group in Japan, and currently leads the intermedia ensemble at Brown University.

KATHY COUCH  INSTALLATION/LIGHTING/COSTUME DESIGNER
For 17 years, Kathy Couch has been designing and creating visual landscapes in performance and installation works. Primarily working in the mediums of light and space, Couch has designed over 300 performances in New York, Boston, Washington D.C., Australia, Armenia, Russia, Latvia, Serbia and throughout New England. Creating installations and designs for a variety of traditional and non-traditional spaces, Couch’s artistic practice focuses on the vital role of the audience/viewer as active contributors to the work. Kathy Couch has ongoing performance collaborations with Adele Myers, Candice Salyers, The Architects and Chimaera Physical Theater. As a member of the creative team for Yanira Castro’s Dark Horse/Black Forest, Couch received a 2009 Bessie Award. Most recently, she collaborated with choreographer and video artist Wendy Woodson in the creation of Belonging: Reflections on Place, a video installation for the Immigration Museum of Melbourne (Australia). Kathy Couch currently teaches Lighting Design at Amherst College and recently received an MFA in Visual Arts from the Vermont College of Fine Arts. She is a founding board member of the Northampton Community Arts Trust that seeks innovative ways to preserve arts space in Northampton, MA and a member of the arts organization C3, a creative community collective.

SIMON COURCHEL  PERFORMER
Simon Courchel is native of Paris and he studied dance at the Conservatoire National Superieur de Musique et de Danse de Paris. During his time and growth, Simon worked with William Forsythe, Carolee Schneeman, Michel Kelemenis, Lucinda Childs, Ashley Page, Karole Armitage, Yuval Pick, Terro Saarinen, Francois Raffinot, Jean Claude Gallota, Russel Malliphant, Frederic Flamand and Bud Blumenthal among others. Simon is based in Brooklyn since July 2010 and is Deputy Director at The Invisible Dog Art Center.

SAM LERNER  WEB DIRECTOR
Sam Lerner works best when he’s surrounded by visuals, graphics and music and his best work involves putting technology right in the middle of it. A creative engineer and Flash expert at CivicActions, he thrives on clients seeking community-oriented solutions. While at Calabash Music, the first fair-trade online music company, he created a built-in media player that helped put more money in musicians’ pockets. His first project for CivicActions was dubbed “The Great Turtle Race.” An initiative for Tagging of Pacific Predators (TOPP), the website chronicled the migration of tagged leatherback turtles from Costa Rica to the Galapagos Islands. Corporations and celebrities such as Stephen Colbert quickly jumped in to sponsor a turtle and the “race” was showcased via Sam’s time-lapse Flash animation map, updated daily. The project raised huge awareness for the turtles and drove significant traffic back to the organizer’s web site, also developed by CivicActions. Working with Amnesty International on their state-of-the-art web site, Sam’s team was tasked with finding a lightweight solution for searching the organization’s exhaustive document database. By incorporating Google Mini, the site and its attendant document library can now be searched seamlessly.

LUKE MILLER  PERFORMER
Luke Miller, originally from Pittsburgh Pennsylvania, studied dance at NYU’s Tisch School of the Arts. He has performed with Yanira Castro / a canary torsi in 2:1, Center of Sleep, Wilderness, and received a Bessie award in ’09 for his collaboration and performance in Dark Horse/Black Forest. He is looking forward to performing in the upcoming work entitled The People To Come. He is also currently a member of Susan Marshall & Co. and has danced in the work of Martha Clarke, David Dorfman, Molissa Fenley, Keely Garfield, Neil Greenberg, Fiona Marcotty, Julie Atlas Muz, Neta Pulvermacher, stephen petronio, Sally Silvers, Christopher Williams, and Bill Young / Colleen Thomas. Luke enjoys freelancing in other artists’ work when they invite him into the studio. As well as making his own work, he curates events that involve live performance and visual art at Location One gallery in SOHO. He is currently creating a series called HOMO-spoof-EROTIC. It involves lycra. In addition to performing, he also teaches dance, yoga and improvisation. Luke dabbles in interior design and costume/set design. For more information please visit www.lukemillerdance.com

STEPHAN MOORE  COMPOSER + MUSICIAN
Stephan Moore is a composer, performer, audio artist, sound designer and curator based in Brooklyn and Pawtucket, RI. His creative work currently manifests as electronic studio compositions, improvised solo performances, sound installation works, scores and sound designs for collaborative performance pieces, and sound designs for unusual circumstances. Evidence, his long-standing project with Scott Smallwood, has performed widely and released several recordings over the past decade. He has created custom music software for a number of composers and artists, and has taught workshops and numerous college-level courses in composition, programming, sound art and electronic music. He is the president of Isobel Audio, a maker of custom loudspeakers, as well as the curator of the Floating Points programming at Issue Project Room in Brooklyn, where he also serves on the Art Advisory Board. From late 2004 to mid-2010, he performed over 250 concerts with the Merce Cunningham Dance Company, serving as their sound engineer and music coordinator, and as a touring musician. He is currently a Ph.D. student in the MEME program at Brown University.  He has been collaborating with Yanira Castro since 2005.

PETER MUSANTE  PERFORMER
Peter Musante is a San Francisco-raised theater artist and educator currently based in Brooklyn. A frequent performer with Blue Man Group, Peter has enjoyed collaborating on original interdisciplinary works with such artists as Martha Clarke & Alfred Uhry (Angel Reapers – The Joyce), Jody Oberfelder, Sabrina Jacob, Sinking Ship Productions, Double Image Theater Lab, Trusty Sidekick Theater Company and with Summer Shapiro in their award-winning Legs and All.  His original work of physical theater has been presented at St. Mark’s Church / Incubator Arts Project, The Kraine, The Brick, The Tank, Galapagos Art Space and most recently at The Chocolate Factory’s THROW series. Peter is also working toward an MFA in Performance & Interactive Media Arts at Brooklyn College. www.petermusante.com

CAROLINE PARK  MUSICIAN  (June 25, 27, 29)
Caroline Park is a composer/performer who improvises on laptop, piano, and other noise-making devices, either solo or within a group. Caroline has been involved with ((audience)), Boston Center for the Arts, Non-Event, Pulitzer Foundation for the Arts, Saint Louis Symphony, Callithumpian Consort, Together: New England Electronic Music Festival, Musicacoustica Beijing, SICPP (Summer Institute of Contemporary Performance Practice), Boston Microtonal Society, and Boston CyberArts.

TIM ROVINELLI  MUSICIAN (June 26 + 28)
Tim Rovinelli is performer and instrument builder based out of Providence, RI.  His work focuses on the creation of unstable generative electronic systems, hacked devices, and crude digital processing.  He is especially interested in environmentally sensitive and unusual interfaces.  He performs improvised music with the BUMPR ensemble with Stephan Moore, Peter Bussigel, and Caroline Park, electro-rock with House Party, and solo noise under the Splatterpuss moniker.  He is a graduate of Brown University affiliated with the MEME program and RISD’s digital media program.

PETER B. SCHMITZ  PERFORMER
Peter B. Schmitz has been involved in the creative and performing arts for over 25 years as a dancer, choreographer, actor. As a professional dancer/choreographer, Peter has worked through out the United States, Amsterdam, Germany, France, England, New Zealand and recently in Ankara, Turkey. He was a founding member of Dance Gallery, a small modern dance company, a member of Creach/Co in New York City for over 8 years, and has performed in the works of Wendy Woodson, Ann Carlson, Richard Colton/Amy Spencer. Peter currently lives in Bronx, NY. He has choreographed for New World Theatre, Medicine Show Theater and Potomac Theater Project and is a member of Actors Equity.

KIRSTEN SCHNITTKER  ARCHIVIST
Kirsten Schnittker is a choreographer and performer who creates dances that question the act of performing, expose the individual within the performer, and push the limits of audience passivity.  Since graduating from Barnard College, Kirsten has shown her work throughout New York City with RoofTop Dance, Brooklyn Arts Exchange’s 2012 UPSTART Festival, REHEARSAL, Dance New Amsterdam, Movement Research’s Open Performance and Green Space.  Kirsten has performed with Kelley Donovon and Dancers, Tara Aisha Willis and the A.O. Movement Collective. She has worked with Yanira Castro | a canary torsi since 2011.

SUZANNE THORPE  MUSICIAN
Suzanne Thorpe performs the electroacoustic flute, extended through hardware software components. As an improviser, Thorpe has performed nationally and internationally with Chris Brown, Chris Cogburn, Annette Krebs, Maggie Nicols, Pauline Oliveros, Gino Robair, Miya Masaoka, Fred Frith, Ulrich Krieger, Zbigniew Karkowski, Anti-Matter, Miguel Frasconi, and Zeena Parkins among others. From 1989 to 2001, she was a founding member of Mercury Rev, an internationally acclaimed band with which she composed, performed, recorded, produced, and toured, earning critical praise and a gold record for 1998′s Deserters’ Songs. Thorpe is one half of the flute and feedback duo thenumber46 with media artist Philip White, and one fourth of the quartet Volume(n).

DARRIN M. WRIGHT  PERFORMER
Darrin M. Wright is a native of Los Angeles, California where he started tap dancing at the age of six. His early training began with Ian Gary, Janet Roston and Rudy Perez. In 1997, Darrin joined the Bella Lewitzky Dance Company as part of its farewell tour. He received his BFA in dance from the University of Illinois, Urbana-Champaign in 2002. Since graduation, Darrin has had the pleasure of working with Susan Marshall, Terry Creach, Bill Young/Colleen Thomas, Jack Ferver, Tami Stronach, Amber Sloan, Jane Comfort, Lindsay Dietz-Marchant, Linsey Bostwick and Nina Winthrop. Darrin teaches master classes in technique, composition and improvisation throughout the country.  He has loved working with a canary torsi since 2008. Currently Darrin lives in Brooklyn, New York.

TESS DWORMAN  ARCHIVIST
Tess Dworman is a choreographer and performer originally from Chicago, IL. She studied at the Laban Centre in London and graduated from the University of Illinois at Urbana-Champaign with a BFA in Dance. In New York, her work has been presented by AUNTS, Center for Performance Research, Danspace Project, Dixon Place, Movement Research at the Judson Church, and Roulette Intermedium. She has also had the pleasure of performing in the works of Moriah Evans, Strauss Bourque-LaFrance, Tere O’Connor, and Mariana Valencia.

Back to The People to Come

Photo by Simon Courchel

While her career in fashion officially began in 2006, she will tell you it goes back to the age of 5, in her grandmother’s courtyard in India. As the two of them sat together with a spool of twine and a basket of fragrant jasmine blossoms, her grandmother advised, ‘Learn how to weave garlands for your hair and fix a sari blouse and you will always be beautiful.’ That message, which held little meaning as a child, became invaluable as a young woman when old and new garments were snipped, tucked and tailored to fit her petite frame.

www.lakumcollection.com

Marie-Caroline Hominal received a dance training at Schweizerische Ballettberufschule in Zürich and at Rambert School of Ballet and Contemporary Dance in London, where she joined for 1 year the National Youth Dance Company. Her choreographic works, mainly solos or duos, are: the tryptique; “Fly Girl“ (2008), “Yaksu Exit Number 9“ (2010) & “Voice Over“ (2011). “BAT “(2012). The performances “Patricia poses by the pop machine“  (2011), “ Cindy punch pop acid“ (2011) & “In bed with MadMoiselle“ (2013). Besides, Marie-Caroline Hominal regularly collaborates with other artists like François Chaignaud (Duchesses, 2009), Clive Jenkins (Opus 69, 2009), Cristian Vogel (music video 1968 Holes), Kim Boninsegni (4 Strobs, Some wax, Screwed up timeline, Glitter, Two voices, One dance, All in one, 2010) and recently with her brother the visual artist David Hominal for the performance (Two birds at swim, at birds two swim, at two birds swim, 2012). Under the name MCH, she has made videos that were shown in numerous festivals in Europe and USA. Since 1998 she has been performing with choreographers and companies such as the Tanztheater Basel, Blanca Li, Gisèle Vienne, Gilles Jobin, La Ribot, Marco Berrettini. She was also guest performer for Human Writes from William Forsyth and B.O.B from Dick Wong.
www.madmoisellemch.com

back to Duchesses

Brooklyn, NY – Friday January 18th, 2013

We are thrilled to announce the opening of two new cultural spaces (and two old friends of the Invisible Dog) next door at 47 Bergen Street:  Recession Art and Beam Center.

With the arrival of these organizations, and the opening of their first permanent locations in Brooklyn, we can now consider Bergen Street a creative hub within the borough. In addition to our 35 artists-in-residence, and multidisciplinary arts program, we are very happy to provide our community with new ways to experience culture with the addition of Recession Art and Beam Center. The combined programming of The Invisible Dog, Recession Art and Beam Center will be sure to draw audiences from all five boroughs as well. In the coming months we will announce dynamic collaborative projects with these organizations.

Founded in 2009 by sisters Emma and Ani Katz, Recession Art is one of the original partners of the Invisible Dog, having inaugurated the third floor gallery at 51 Bergen Street at the art center’s Grand Opening in October 2009. Since then, Recession Art has presented semiannual group shows at the Invisible Dog Art Center, which will continue in 2013.

At 47 Bergen Street, Recession Art will present solo exhibitions by Featured Artists, curated Open Call exhibitions, and a rotating selection of affordable paintings, photography, prints, drawings, handmade books, and art objects. Recession Art will be open 1-7 pm Wednesday-Saturday and 1-5 pm on Sunday.

For its Grand Re-Opening on March 9, Recession Art will present a solo exhibition by photographer Danny Ghitis focusing on his work documenting New York’s Harlem Valley.

Beam Center has also presented events at the Invisible Dog since we opened in 2009. Last April Beam Center began running their Inventgenuity Workshops in the basement of the Invisible Dog. With a space of their own they’ll further their mission of helping young people shape their world and futures through the practices of physical creation and collaboration. Beam Center’s Inventgenuity Festival takes place on the top floor at the Invisible Dog on January 26 & 27 and there’s still time to register for winter Inventgenuity Workshops starting on February 4.

The Invisible Dog Art Center opened in October 2009, a raw space in a vast converted factory building with a charmed history and an open-ended mission: to create, from the ground up, a new kind of multidisciplinary arts center. Long-term collaborations with artists are integral to The Invisible Dog, where we endeavor to create a new kind of artistic community. We bring together artists at all career stages, offering them unique opportunities for involvement. Over the last four years, we have evolved organically, developing with and alongside our diverse roster of collaborators.

The building at 51 Bergen Street is integral to The Invisible Dog’s identity. Built 150 years ago, the 30,000 square-foot building housed working factories until the 1990s, when the last factory shut down, and the detritus from 100 years of industry was left to rot. The building was unused until 2008, when it was discovered by Lucien Zayan. The last factory, which made belts, had a hit in the 1960s with the “invisible dog” party trick, which gave the nascent art center its name.

For more information, please contact:
Lucien Zayan Founder/Director, The Invisible Dog Art Center  lucien@theinvisibledog.org
Emma Katz Executive Director, Recession Art  Recession.art@gmail.com
Brian Cohen Co-Director  brian@beamcamp.org

A building grows, and art is not static. This Invisible Dog is place to see art, but it’s also a place to hear, touch, taste and smell. We present several visual art exhibitions and installations throughout the year, but the live arts have a crucial role in our programming as well. For the second year in a row, we have dedicated January and February to live performance.   Our ground floor will be transformed from gallery to theater.

We are partnering with PS122’s Coil Festival and New York Live Arts to bring you dynamic performances in a variety of differences featuring artists from around the world.

From January to April, we are going to present work in every space within The Invisible Dog: on the stage, on the wall, on the screen, on the page.

We are also thrilled to be continuing to host Inventgenuity’s after-school program.

As much as we strive to present art from all disciplines, we want the Invisible Dog to be accessible to people of all ages.
In 2013 we have something for everyone, and nothing you have ever seen before.

Our program is made possible, in part, with the generous support of the 415 donors to our Kickstarter campaign. Thank you all.

Lucien Zayan

EXHIBITION - CAMDEN – Jean – Christian Bourcart
January 5- February 2
Opening Reception: January 5; 6-10PM

DANCE – SACRE – David Wampach
January 10, 11, 14  at 7.30PM, 13 at 5pm

DANCE – READY TO KISS – Olivier Dubois
January 13 at 3PM

DANCE – THE DAEDALUS EFFECT AND OTHER DILEMMAS – Arturo Vidich
January 24-26 – 730PM / $20

DANCE – INSTALLATION – VEAL – Harrison Atelier
February 7-9 – 7:30PM – free admission

THEATER – THE RECORD -  600 Highwaymen
February 13-16 – 7.30PM – free admission

DANCE – PERFORMANCE – THEATER – AUNTS + CATCH
Friday February 22  - Saturday February 23

EXHIBITION - THE EXPLODED MIND OF MULHOLLAND HWANG – Aaron Ruff & Oliver Jeffers
March 9 – May 18
Opening reception: Saturday March 9; 6-10

EXHIBITION -WAYS & MEANS – Ryan Frank – March 9 – April 13
Opening reception: Saturday March 9, 6-10

EXHIBITION WORKSPACE + ARTIST OPEN STUDIO
Saturday, March 9 – noon to 10pm & Sunday, March 10 from noon to 5pm

READING – BENNINGTON / BROOKLYN / JERSEY / CONNECTICUT
Friday March 22, 7.30PM – Free Admission

MUSIC – MATE_ SERIES 3
Friday March 29 – 7.30PM – free admission

EXHIBITION – 2FIK’S MUSEUM – 2Fik – April 20-May 18 – Opening reception: April 20; 6-10PM

CINE-CLUB – Monthly, beginning on January 5; through June

]]> http://theinvisibledog.org/season-4-january-april-2013/feed/ 0 http://theinvisibledog.org/kickstarter-donors/ http://theinvisibledog.org/kickstarter-donors/#comments Mon, 12 Nov 2012 18:21:37 +0000 theinvisibledog http://www.theinvisibledog.org/?p=11736 ]]> http://theinvisibledog.org/kickstarter-donors/feed/ 0