The Invisible Dog is thrilled to welcome ISSUE Project room and AvanTokyo to present esteemed Japanese band ASA-CHANG & Junray for their debut U.S. performance. Drawing on material from the project’s entire discography, they perform as a trio: ASA-CHANG (percussion), Yoshihiro Goseki (saxophone, flute), Sena Oshima (violin), and the “Junray Tronics” soundsystem. The evening will also feature Argentinian experimental artist Alma Laprida whose creative pursuits encompass composition, improvisation, performance, installation, and radiophonic pieces.
Photo courtesy the artists
ASA-CHANG & Junray is the name of the ASA-CHANG experience, and comes from the “Junray Tronics” soundsystem developed by self-taught tabla guru Asa-Chang. Junray (derived from the Japanese word for “pilgrimage”) has been described as an attempt to summarize musically the entire experience of human emotion, or “kidoairaku.” Based in Tokyo, Asa-Chang has spent much of his professional life touring with multi-million-selling J-pop acts and is regarded as one of Japan’s premiere session percussionists. In the early 2000s, his group was met with worldwide acclaim from the success of debut international album Tsu Gi Ne Pu and the single “Hana,” a revelry of tabla, overlapping vocals, strings, and electronic elaborations that stands as an achievement of early-aughts innovation between pop and avant-garde sensibilities. BBC DJ and tastemaker John Peel had featured the single regularly on his radio show; and, even recently, they have garnered new admirers, with German concert series ReiheM describing the song’s pointed impartiality as in the spirit of Robert Ashley or David Behrman. ASA-CHANG & Junray’s expression lives beyond both country and culture. Amid COVID-19, many of the group's shows were postponed, including a commemorative concert scheduled last year in honor of the 20th anniversary release of their influential song, "Hana." Following major changes to their lives over the past three years, the members are overflowing with passion as they resume long overdue live performances.
Deriving from a similar vein of experimentation as ASA-CHANG, Alma Laprida weaves complex processing techniques into her line of improvised work. The multidisciplinary artist relocated to the U.S. in 2021 from her home in Buenos Aires with her tromba marina or “marine trumpet.” This unique medieval European string instrument was used until the baroque era, and then practically abandoned. Through improvisation, using a custom made two-string marine trumpet, voice, and electronic processing, Laprida focuses on repetitive gestures that unfold out of minimal changes and allow audiences to discover the timbres and overtones of this largely unknown instrument. For her solo set, the tromba marina will be amplified by a self-made contact mic and then processed by pedals. The evening will also feature elements from her work “Japan,” an electronic piece created for BICHA (analogic sounding circuit by Jorge Crowe), which was commissioned by The Toy Lab.
ASA-CHANG & Junray is the band of the Japanese percussionist Asa-Chang, who was the founder and original bandmaster of Tokyo Ska Paradise Orchestra. After leaving that group in 1993, he formed Asa-Chang & Junray in 1997 with programmer, guitarist, and non-performing member Hidehiko Urayama. They were joined in 2000 by tabla player U-zhaan, and the group began staging live performances with Junray-Tronics -- appearing at Fuji Rock Festival for five consecutive years. After their Japan-only 2001 release “Hana,” their second album Tsu Gi Ne Pu, was released in the United Kingdom under The Leaf label, and was selected as the fourth best album of 2002 by The Wire Magazine, and best album by Mojo Magazine and Muzik. Outside these international accolades, the group and “Hana” received extensive coverage in the music media of Australia, the United States, Chile, and other countries around the world. “Hana” was featured on Fabric Live 07, while “Tsuginepu To Ittemita” was included on a The Wire Tapper CD. In 2013, "Hana" was re-done for the soundtrack to the anime Aku no Hana (lit. Flowers of Evil), an adaptation of the manga of the same name. The group has often collaborated with contemporary dancers in a music videos; and, in 2009 with a staging of “Aoiro Theater” featuring their music with dance at Setagaya Public Theatre. In 2010, Asa-Chang made a fresh start as a solo unit and has since remained active in creative forms that go beyond established ideas of music. In 2012, they unveiled the opus “NEW Aoiro Theater” at Kyoto Experiment 2012 with the addition of Yoshihiro Goseki and Anzu Suhara as members.
Born in San Miguel, Argentina, Alma Laprida is a multidisciplinary artist. Armed with unconventional instruments and objects such as the tromba marina, field recordings, synthesizers, megaphones and lyre, her explorations traverse diverse realms in the pursuit of creating captivating sonic experiences. She has played, performed, and exhibited installations in Argentina, Brazil, Colombia, Chile, Italy, Mexico, and the United States. Alma has released three solo albums and two collaboration albums, and contributed to various compilations. In 2021, after a decade of creative work and life in Buenos Aires, Alma relocated to Maryland, USA, and is part of the creative music scene of Washington, DC. Besides her solo work, she’s part of Hypnotized Chickens and the Bureau of Sensory Affairs. Her next album, “Pitch Dark and Trembling”, will be released in October by Outside Time.
Founded in 2003, ISSUE Project Room is a pioneering nonprofit performance center, presenting projects by interdisciplinary artists that expand the boundaries of artistic practice and stimulate critical dialogue in the broader community. ISSUE serves as a leading cultural incubator, facilitating the commission and premiere of innovative new works. ISSUE continues growing its partnership with AvanTokyo, a collaboration focused on the promotion of experimental Japanese performance practices.
AvanTokyo looks beyond anime and idols, probing Japan’s ‘live houses’ and experimental venues, where creators push new forms of expression unreached by mainstream media. Offering Japanese artists performance and residency opportunities in New York, AvanTokyo facilitates cultural interactions between Japan and the United States.
ISSUE Project Room programs are supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
Additional support for ISSUE Project Room's 2024 season is provided by Metabolic Studio.
This concert is made possible by support from the Asian Arts Initiative.
Admission:
$15 Advance
$12 ISSUE Members
Limited $20 Door pending availability
Date+ Time:
Wednesday, October 23
8:00pm
Location:
51 Bergen St