The Invisible Dog is thrilled to welcome Books are Magic for Emily Nussbaum Cue the Sun! The Invention of Reality TV in conversation with Michael Schulman.
The rollicking saga of reality television—an ambitious cultural history of America's most influential, most divisive artistic phenomenon, from the Pulitzer Prize-winning New Yorker writer.
Who invented reality television, the world’s most dangerous pop-culture genre? And why can’t we look away? In this revelatory, deeply reported account of the rise of “dirty documentary”—from its contentious roots in radio to the ascent of Donald Trump—Emily Nussbaum unearths the origin story of the genre that ate the world, as told through the lively voices of the people who built it. At once gimlet-eyed and empathetic, Cue the Sun! explores the morally charged, funny, and sometimes tragic consequences of the hunt for something real inside something fake.
In sharp, absorbing prose, Nussbaum traces the jagged fuses of experimentation that exploded with Survivor at the turn of the millennium. She introduces the genre’s trickster pioneers, from the icy Allen Funt to the shambolic Chuck Barris; Cops auteur John Langley; cynical Bachelor ringmaster Mike Fleiss; and Jon Murray and Mary-Ellis Bunim, the visionaries behind The Real World—along with dozens of stars from An American Family, The Real World, Big Brother, Survivor, and The Bachelor. We learn about the tools of the trade—like the Frankenbite, a deceptive editor’s best friend—and ugly tales of exploitation. But Cue the Sun! also celebrates reality’s peculiar power: a jolt of emotion that could never have come from a script.
What happened to the first reality stars, the Louds—and why won’t they speak to the couple who filmed them? Which serial killer won on The Dating Game? Nussbaum explores reality TV as a strike-breaker, the queer roots of Bravo, the dark truth behind The Apprentice, and more. A shrewd observer who adores television, Nussbaum is the ideal voice for the first substantive history of the genre that, for better or worse, made America what it is today.
Emily Nussbaum is a staff writer at The New Yorker, where she’s worked since 2011, originally as the magazine’s television critic. In 2016, she won the Pulitzer Prize for criticism. Previously, she was the culture editor for New York, where she created the Approval Matrix. She is the author of I Like to Watch: Arguing My Way Through the TV Revolution, which was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. She lives in Brooklyn with her husband, Clive Thompson, and their two children.
Michael Schulman is a writer living in New York City. His newest book is “Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears” (Harper), which the Wall Street Journal called “surely the best book about Hollywood’s biggest night.” His first book, “Her Again: Becoming Meryl Streep” (Harper), about the actress’s artistic coming-of-age in the 1970s, was a New York Times bestseller. He is a staff writer at The New Yorker, where he has contributed since 2006 and primarily covers arts and culture. His work has also appeared in the New York Times, Vanity Fair, The Believer, Aperture, and other publications.
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